動見体
甫以《三氯乙烷釋放體》入圍第五屆台新藝術獎年度十大表演藝術獎，並以《嬉戲》獲第三屆台新藝術獎「年度最佳表演藝術獎」，亦曾以《行者漂泊－鄭和的後代》獲新加坡海峽時報年度最佳總體演出獎的導演符宏征，於2005年成立動見体劇團，以實踐總體劇場之美學為宗旨，結合來自表演藝術、影像多媒體、視覺藝術與文學等領域的創作者，發展實驗性的劇場創作。
動‧見‧体
動與不動中，彼此照見。透過創作，我們有了分享，我們有了共同的凝視，在創作者與觀賞者之間，那份凝視被擴大，被轉換。以古今中外的題材，詩意的美學風格、自然內斂的表演，表現人性本質及其內在戰場，探索、揭示、對照當代人之精神面貌。
Fu & M.O.V.E.
Hong-zheng Fu’s previous works have been awarded the “Taishin Performing Arts Award 2005” and also the Singapore Straits Times’ “The best performance of the year”. Graduated in the National Taiwan University majoring in Chinese Language and also the Master programme in Directing at the Taipei National University of the Arts, he has been the followers of Grotowski and Stan Lai. He has been cooperated with many different theatre companies and finally last year he founded his own “M.O.V.E Theater Group” which aims to carry out the aesthetic of Total Theatre. Merging performing arts, multi-media, visual arts and literature, it endeavors to develop experimental theatre creation.
Renowned Taiwanese poet and theatre director Hung Hung comments on Hong-zheng Fu that his works profoundly excavate the drama and the character’s intrinsic feeling. Through the subtle details of life, his works awaken the emotion and sensitivity of the audience. With the use of rich poetic sentiment, body movement and sound (music, sound effect, language), it surprises us that the daily conversation and literary language could have such affluent synthesis and variation in the theatre.
M.O.V.E. MOTTO
Movement vis-á-vis Stillness reflect each other’s existence.
By means of creating, we start to share.
It’s the share of the same gaze.
The gaze is enlarged and exchanged between presenters and viewers.
It is the human nature and the battlefield inside the human beings that we care to represent.
By presenting works adapted from old and new, by using verbal and visual elements beyond words, by forging physical expressions of real to surreal, and by extracting aesthetics of theatrical poetics, the spirits of the age are mirrored and shone.
